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Grateful Dead Live at State Fairgrounds on 1980-09-06




Set 1

Alabama Getaway-> Greatest Story Ever Told, Sugaree, Me & My Uncle-> Mexicali Blues, Tennessee Jed, Feel Like A Stranger, Friend Of The Devil, Far From Me, Little Red Rooster, China Cat Sunflower-> I Know You Rider-> Promised Land

Set 2

Shakedown Street, Lost Sailor-> Saint Of Circumstance, Althea, Playin' In The Band-> Uncle John's Band-> Drums-> Not Fade Away-> The Wheel-> Uncle John's Band-> Playin' In The Band-> Sugar Magnolia, E:One More Saturday Night-> E: Brokedown Palace

Roy Bucanan then Levon Helm Opened


Collection GratefulDead
Band/Artist Grateful Dead
Venue State Fairgrounds
Location Lewiston, ME

Source 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard.
Lineage MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496
Taped by Tim Friend
Transferred by Andrew F.

Notes

Notes: There is no wind noise on this recording. Tape
flips patched with ID-93783: Rooster 7:42 > 7:55, crowd
at end of Saint 6:06 > 6:28, and Drums 12:04 > 12:19.

Reviews

Reviewer: njpg - - September 6, 2011
Subject: The best so far!
This recording of a smokin' show requires no EQing whatsoever to sound perfect. It beats the more recent Bob Morris recording, and even beats the redoubtable Charlie Miller version. They were in a funky mood this night: Stranger AND Shakedown in the same show! Love that Mutron envelope filter! No wonder Weir had to ask everybody to take a step back: I'd be up there gettin' squeezed and lovin' it!
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
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Source: source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD.
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Source: Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
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Source: Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper
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Source: Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
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Source: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - DTS mixing by Kevin Tobin